Buffalo Bird Girl: A Hidatsa Story (Paperback)
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Description
A stunning picture book biography of a 19th century Hidatsa woman, from award-winning author and illustrator S. D. Nelson
Buffalo Bird Girl (ca. 1839-1932) was a member of the Hidatsa, a Native American community that lived in permanent villages along the Missouri River on the Great Plains. Like other girls her age, Buffalo Bird Girl learned the ways of her people through watching and listening, and then by doing. She helped plant crops in the spring, tended the fields through the summer, and in autumn joined in the harvest. She learned to prepare animal skins, dry meat, and perform other duties.
There was also time for playing games with friends and training her dog. When her family visited the nearby trading post, there were all sorts of fascinating things to see from the white man’s settlements in the East.
Award-winning author and artist S. D. Nelson (Standing Rock Sioux) captures the spirit of Buffalo Bird Girl by interweaving the actual words and stories of Buffalo Bird Woman with his artwork and archival photographs. Backmatter includes a history of the Hidatsa and a timeline.
Buffalo Bird Girl (ca. 1839-1932) was a member of the Hidatsa, a Native American community that lived in permanent villages along the Missouri River on the Great Plains. Like other girls her age, Buffalo Bird Girl learned the ways of her people through watching and listening, and then by doing. She helped plant crops in the spring, tended the fields through the summer, and in autumn joined in the harvest. She learned to prepare animal skins, dry meat, and perform other duties.
There was also time for playing games with friends and training her dog. When her family visited the nearby trading post, there were all sorts of fascinating things to see from the white man’s settlements in the East.
Award-winning author and artist S. D. Nelson (Standing Rock Sioux) captures the spirit of Buffalo Bird Girl by interweaving the actual words and stories of Buffalo Bird Woman with his artwork and archival photographs. Backmatter includes a history of the Hidatsa and a timeline.
About the Author
S. D. Nelson is a member of the Standing Rock Sioux Tribe in the Dakotas. He is the award-winning author and illustrator of a number of books. He lives in Flagstaff, Arizona.
Praise For…
**STARRED REVIEW**
"The extraordinary illustration of this handsome volume begins with the endpaper maps and features acrylic paintings of the Hidatsa world reminiscent of traditional Plains Indian art. Pencil drawings and relevant, carefully labeled photographs round out the exquisite design. All the artwork both supports and adds to the text. An extensive author’s note and timeline supplement this beautiful tribute."
"The extraordinary illustration of this handsome volume begins with the endpaper maps and features acrylic paintings of the Hidatsa world reminiscent of traditional Plains Indian art. Pencil drawings and relevant, carefully labeled photographs round out the exquisite design. All the artwork both supports and adds to the text. An extensive author’s note and timeline supplement this beautiful tribute."
— Kirkus Reviews, starred review
**STARRED REVIEW**
"This is a lovely and graceful introduction to a way of life that persists despite cultural obstacles and the march of time."
"This is a lovely and graceful introduction to a way of life that persists despite cultural obstacles and the march of time."
— School Library Journal, starred review
"Nelson's quiet, respectful tone capably balances the factual details of daily life in the Hidatsa tribe with the obvious joy and nostalgia Buffalo Bird Girl feels toward her childhood."
— The Bulletin of the Center for Children's Books
"As a writer, storyteller, and traditional artist of the Sioux people, his perspective is genuine and effectively portrayed. This book would be enjoyable for anyone interested in history, but would also be an effective resource in the classroom to support the curriculum.”
— Library Media Connection
"Nelson's acrylic paintings and b&w pencil drawings are intriguingly interlaced with the photographs, contrasting Native American figures in blunt profile with harvest colors and background textures that mimic dried spears of grass, leather skins, and basket weaves."
— Publishers Weekly
